03 October 2017 to 30 March 2018
Press launch 02 October: 5 – 6 PM
Public launch 02 October 6 – 8 PM
British artist Charlie Godet Thomas creates the second commission for VITRINE Gallery’s 2017 – 2018 SCULPTURE AT programme.
Entitled Cloud Study, Godet Thomas’ sculpture uses the form of a weather vane to represent states of emotional well-being. A speech bubble sits atop a two-metre high vane, which turns in the wind revealing the phrase ‘- yo’ is stuck in thar fo’ever li’l gray cloud!’ The line comes from the widely syndicated American cartoon ‘Li’l Abner’ created by Al Cap that ran between 1934 – 1977. In the comic strip, one of its characters, Joe Btfsplk, entombs the cloud that bedevils him in a cave, sealing it with a boulder. Similar to the myth of the ostrich burying its head in the sand, the protection this offers is, of course, illusory.
A playfully metaphorical work that embraces the personal and political, Cloud Study invites the viewer to meditate on the tragi-comic nature of life, with the movement of the vane mirroring these oscillations as it twists and turns in the wind.
Says Charlie Godet Thomas: ‘In Cloud Study, I hope to evade what I see as the traditional hallmarks of public sculpture: for an imposing quality to be substituted by quietness, heroism by the everyday, stillness by function, sternness by humour, and vulnerability in the place of grandstanding.’
Says Director of VITRINE and SCULPTURE AT Alys Williams: ‘SCULPTURE AT was founded with the aim of creating an experimental platform for artists to make work in the public realm; a platform to include artists without previous public sculpture experience. I am therefore delighted to invite Charlie Godet Thomas to take this opportunity – at a very exciting moment for his practice – to see his first public commission come into fruition.’
Charlie Godet Thomas (b.1985, London, UK) lives and works in Mexico. Having studied a BA in Fine Art (Sculpture) at Manchester School of Art in 2009, he graduated with an MA in Fine Art (Sculpture) from the Royal College of Art, London in 2014 where he was awarded the Bermuda Arts Council Scholarship and the Peter Leitner Scholarship.
Recent solo exhibitions include: ‘Internal Rhyme’, Ladrón Galería, Mexico City (2017); ‘Bildungsroman’, Carillon Gallery, Fort Worth, Texas (2017); ‘Strandline’, Set The Controls For The Heart Of The Sun, Leeds (2016); ‘Torschlusspanik’, VITRINE, London (2015); ‘To Be Is To Do, To Do Is To Be, Do Be Do Be Do’, Telfer Gallery, Glasgow (2015) ‘In Comes the Good Air, Out Goes the Bad Air, In Comes the Good Air’, Cactus, Liverpool (2015) and ‘A Method for Writing/A Method for Making’, BALTIC Centre for Contemporary Art, Newcastle, UK (2014). Group exhibitions include: ‘…in Dark Times’, Castle eld Gallery, Manchester (2017); Bermuda Biennial, The Bermuda National Gallery, Bermuda (2012, 2014 and 2016); ‘Incunabula’, Norwich Cathedral Library (2015); RCA/ECA Edinburgh Sculpture Court, Edinburgh, Scotland (2015); ‘An evanescent x’, VITRINE (2015); ‘Escape to a Sparkling Moment’, Bloc Projects, Shefield UK (2015); ‘Bending Light’, Home-Platform, Bristol, UK (2014); ‘END’, Cactus, Liverpool, UK (2014); Royal College of Art WIP Show, RCA, London, UK (2013) and Brussels, Belgium (2012). In 2015, he was included in DAZED’s ‘Artists we’re watching out for’ list. He was in residence in Fort Worth, Texas in April 2017 and at Caribbean Linked IV at Ateliers ’89 in Oranjestad, Aruba, in August 2016.