THE ONLYES POWER IS NO POWER is Wil Murray’s is a new large-scale print series exploring transformative mechanisms within the photographic process. The exhibition is an experimental installation in itself that uses the sun to further transform the works; the vitrine space acting as a large-scale camera.
Entitled Cloud Study, Godet Thomas’ sculpture uses the form of a weather vane to represent states of emotional well-being. Part of the SCULPTURE AT series curated by VITRINE Gallery.
VITRINE Galley in Bermondsey Square presents ‘New Continents, Light Lines’. The new exhibition is the first UK solo exhibition of Swiss artist Sarah Burger.
Kate Dimbleby, the singing daughter of Britain’s great broadcasting family of voices weaves powerful,soulful a capella original songs with stories of singing with Bobby McFerrin, stepping out of Peggy Lee’s shadow and listening to find the song in everyone.
Kate Cooper’s solo exhibition reflects critically on the rapid development of digital media, performativity of gender, and representations of femininity.
Lucy Tomlins work Pylon and Pier reverses the public square as place for statues of distinguished people that reinforce notions of power.
Artist Nadim Abbas will be giving four free performances as part of the site-specific installation Camoufleur at VITRINE Gallery on Bermondsey Square this week.
In ‘Camoufleur’ Nadim Abbas uses camouflage and the gallery’s panoramic positioning on Bermondsey Square to explore how urban environments influence and encourage our assimilation.
This exhibition at Project Space on Bermondsey Street, features a series of new paintings by Nick Malone inspired by the in-the-making graphic novel The Disappearance of Makepiece – A Tale of Two Lives.
Clare Kenny’s work ‘Enough rope to hang ’emselves’ explores reality and representation through a variety of materials including found objects and building materials, neon and photography.
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